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Plus, you\’ll discover invaluable tips for fixing common photo flaws, improving color quality, adjusting brightness, removing unwanted background elements, and more. Whether you want to improve how your family photos look or need to add a new skillset to your resume, this friendly guide gives you all the steps to navigating the software and getting top-notch results. The sky\’s the limit for stunning photos and innovative images when you have Photoshop CC For Dummies, 2nd Edition in your design toolbox!

Search icon An illustration of a magnifying glass. User icon An illustration of a person\’s head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker. Get picture perfect with Photoshop CC Photoshop is a stunning program that puts the power of a professional photography studio into your hands, but it can also be a jungle to navigate—with a dense proliferation of menus, panels, shortcuts, plug-ins, and add-ons to get thoroughly lost in.

Master everything from the basics to professional insider tips Combine, layer, tone, and paint your images Explore the colorfully creative world of Photoshop filters Fix common problems You\’ll find everything on the latest version of the software that you could dream of—and an improved shot at artistic success!

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Get it as soon as Wednesday, Aug Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Adobe Photoshop Classroom in a Book release. Conrad Chavez. Barbara Obermeier. Scott Kelby. Stephen Laskevitch. David Karlins. Jennifer Smith. From the Inside Flap Diagnose common image problems and fix them Learn to optimize color and tonality in photos Add text and design elements for stunning layouts Begin building your Photoshop sklls here Photoshop CC isn\’t just for professional photographers and designers.

Diagnose common image problems and fix them Learn to optimize color and tonality in photos Add text and design elements for stunning layouts Begin building your Photoshop sklls here Photoshop CC isn\’t just for professional photographers and designers. While many things made it difficult to continue for a long period, the release of Photoshop CS4 has given me ample reason to start up again. I appreciate the It looks like a number of the larger issues I had with You Get A Photoshop!

You Get A…. Its a workflow that he used Just last w Following studies in both photography and architectural engineering, Peter has created a practice photographing offices, hotels, residences, and more.

Now you can easily and automatically extract character styles, effects and smart objects from your PSD files right Designer Kelly Meissner swings by the Iris office to share options for photo editing. There are a million posts on \”the 50 best\” tools for everything, but in reality, every tool has strengths and New features in version X2, like spot healing and lens distortion correction, further add.

Other options available to us in Photoshop and third-party plug-ins will make adjustments to the whole image. One thing we wa. Jon is a professional photographer and writer. He also provides one-to-one and small-group tuition in both digital SLR and Photoshop image-editing skills. The image organizer that comes with Phot. It works in much the same way as the near-identical Black and White panel in Lightroom by giving you on-image control over the luminance of e.

What do I want the viewer to look at? Jon Adams Jon is a professional photographer and writer. With a camera and a good lens, you have everything you need to shoot a portrait — but.

Review must be at least 10 words. As environments go, the Photoshop working environment is pretty cool: as inviting as a landscaped backyard and not nearly as likely to work you into a sweat.

As with other programs, you can choose the method you find the easiest and most convenient. In Windows, you can launch programs from the Start menu or an icon on the taskbar.

In either Windows or Mac OS X, you can double-click a Photoshop shortcut or alias icon if you have one on your desktop. Finally, you can double-click an image associated with Photoshop, which then launches Photoshop along with the file.

When you launch Photoshop, the workspace, shown in Figure , appears. Adobe did this in order to provide what they call a more immersive experience enabling you to better focus on your image instead of the surrounding interface elements.

Here, you can also change details, such as whether your border is a drop shadow, line, or nothing at all. Figure The Photoshop desktop consists of many components, including an image window, panels, and bars. After you arrange your Photoshop desktop the way you like it for a specific project, you can even save the desktop and reuse it whenever you work on that project see Book I, Chapter 5 for details.

Every image you work on appears within the confines of an image window. However, you can move some components, such as the various panels and the Options bar. The result? A cleaner, more polished UI. The Window menu, shown in Figure , controls the display of panels and some other elements of the Photoshop workspace. Find out more about maneuvering panels in the section Playing with Panels, later in this chapter.

The top two entries on the Window menu enable you to control the display arrangement of your open documents and manage your workspaces.

You may also choose from 2—, 3—, 4—, or 6—up in various configurations, depending on the number of images you have open. Your images must be floating in their windows to enable this option. If you want your images to float within the application, choose Float in Window for the currently selected image only and Float All in Windows for all your images commands in the Arrange submenu. Another item under the Window menu includes various workspace options enabling you to choose a workspace that fits your workflow.

Selecting the Essentials workspace resets all your panels and menus to the default settings. For details, see Book I, Chapter 5. On the Extensions submenu, you find Kuler, which enables you to create, download, and share color themes see Book I, Chapter 3 and Mini Bridge that helps you browse and sort your image assets see Book I, Chapter 4.

The remaining bulk of the Window menu contains a list of panels in alphabetical order and currently open documents. Each Photoshop image window comes equipped with a status bar. Incidentally, the title bar of the document itself also shows the zoom level. To the right of the zoom level is the display area for file and image information — which, by default, shows the document size.

To display other types of information, click the right arrow in the status bar, choose Show, and select one of the following options from the menu that appears as shown in Figure :. Figure The status bar provides a wealth of vital information about your image. When you connect via Adobe Drive, you can open and save Version Cue files. Adobe has discontinued Version Cue, so the future of the Adobe Drive feature is unknown.

The first number shows you the size of the file if you were to flatten combine all the layers into one and save it to your hard drive in the native Photoshop file format.

You want this option active when you need to keep track of how large your image is. You can find more information about profiles in Book II, Chapter 3. You might need this information to reference the physical dimensions of your open files. For information on setting preferences in Photoshop, see Book I, Chapter 5. Enabling this option shows two measurements for an active image. On the left, you see the amount of real memory and virtual memory that all open images are using.

On the right, you see the total amount of RAM available for working with images. Photoshop needs a lot more memory and disk space to work on an image while that image is open, shown by the Scratch Sizes display, as opposed to the Document Size display that shows only the file size of the document.

It shows the percentage of time Photoshop spends actually working on an operation, compared to the time it must spend reading or writing image information to or from your hard disk. The slider control is available only if you have an HDR image open. This feature is handy for large or complex files.

Many image-oriented programs use panels of a sort, and Photoshop has had panels formerly called palettes since version 1. However, since Photoshop 3. Rather than standalone windows, Photoshop uses grouped, tabbed panels, which overlap each other in groups of two or three or more, if you rearrange them yourself.

By default, some panels, such as Tool Presets, appear alone. Panels may contain sliders, buttons, drop-down lists, drop-down menus, pop-up menus as shown in Figure , and other controls. You also find icons at the bottom of many panels.

For example, at the base of the Layers panel are command icons that let you create a new layer, add a layer style, or trash a layer that you no longer want. Many panels — such as the Brush, Styles, Actions, and Swatches panels — include options for defining sets of parameters called presets that you can store for reuse at any time. Figure Panels contain various command icons for editing and managing your image.

Whatever name you call them, palettes or panels, they still hold the same information. By default, the panels are anchored in the top-right by a multitiered dock. To expand a panel, simply click its icon. You can also select a panel by choosing it in the Window menu. In this mode, you can select only one panel in any group because only one tab in a group can be on top at one time. When you select a panel from the Window menu, you have no way of knowing which panels are grouped together because Adobe lists panels alphabetically, rather than by groups.

To bring a specific panel to the front, click its tab when expanded or icon when collapsed. If you move the panels out of their groups or drag them onto the desktop so they stand alone, any of them can be selected in the Window menu. The whole panel group closes. To do so, click on the double triangles at the top of the dock. Drag the panel by its tab and position it below the existing column of icons. Release your mouse button to make the panel collapse to its corresponding icon.

Access an individual panel by clicking its tab to bring it to the front. As a result, several panels occupy the screen space required by only one. After you use Photoshop for a while, creating your own custom panel groups based on the panels you most often use can be a real timesaver. So many menus, so little time!

In truth, Photoshop has only about plus separate menu items, including some duplicates. The uploader already confirmed that they had the permission to publish it. Report DMCA.

 
 

Adobe photoshop cc for dummies free

 

In , Adobe ended support for Flash on Android. With Flash\’s EOL announced, many browsers took steps to gradually restrict Flash content caution users before launching it, eventually blocking all content without an option to play it. By January , all major browsers were blocking all Flash content unconditionally. Only IE11 , niche browser forks, and some browsers built for China plan to continue support.

Furthermore, excluding the China variant of Flash, Flash execution software has a built-in kill switch which prevents it from playing Flash after January 12, Adobe Flash will still be supported in China and worldwide on some specialized enterprise platforms beyond As early as , around the same time that Adobe began encouraging Flash developers to transition their works to HTML5 standards, others began efforts to preserve existing Flash content through emulation of Flash in open standards.

While some Flash applications were utilitarian, several applications had been shown to be experimental art, while others had laid the foundation of the independent video game development. Google had developed the Swiffy application, released in , to convert Flash applications to HTML5-compatible scripts for viewing on mobile devices, but it was shut down in Closer to Flash\’s EOL date in , there were more concentrated efforts simply to preserve existing Flash applications, including websites, video games, and animations beyond Flash\’s EOL.

Flash source files are in the FLA format and contain graphics and animation, as well as embedded assets such as bitmap images, audio files, and FLV video files.

The Flash source file format was a proprietary format and Adobe Animate and Adobe Flash Pro were the only available authoring tools capable of editing such files. Flash source files. Note that FLA files can be edited, but output. Flash Video files [spec 1] have a.

The use of vector graphics combined with program code allows Flash files to be smaller—and thus allows streams to use less bandwidth —than the corresponding bitmaps or video clips.

For content in a single format such as just text, video, or audio , other alternatives may provide better performance and consume less CPU power than the corresponding Flash movie, for example, when using transparency or making large screen updates such as photographic or text fades. In addition to a vector-rendering engine, the Flash Player includes a virtual machine called the ActionScript Virtual Machine AVM for scripting interactivity at run-time, with video, MP3-based audio, and bitmap graphics.

Virtually all browser plugins for video are free of charge and cross-platform, including Adobe\’s offering of Flash Video, which was introduced with Flash version 6. Flash Video had been a popular choice for websites due to the large installed user base and programmability of Flash. In , Apple publicly criticized Adobe Flash, including its implementation of video playback for not taking advantage of hardware acceleration, one reason Flash was not to be found on Apple\’s mobile devices. Soon after Apple\’s criticism, Adobe demoed and released a beta version of Flash Flash Flash Player supports two distinct modes of video playback, and hardware accelerated video decoding may not be used for older video content.

Such content causes excessive CPU usage compared to comparable content played with other players. Flash allows sample rates of 11, 22 and Adobe Flash Player Flash Player Flash programs use ActionScript programming language.

It is an enhanced superset of the ECMAScript programming language, with a classical Java -style class model, rather than JavaScript \’s prototype model. Several developers quickly created a C library for producing SWF. Macromedia also hired Middlesoft to create a freely available developers\’ kit for the SWF file format versions 3 to 5. Macromedia made the Flash Files specifications for versions 6 and later available only under a non-disclosure agreement , but they are widely available from various sites.

In April , the Flash SWF file format specification was released with details on the then newest version format Flash 8. Although still lacking specific information on the incorporated video compression formats On2, Sorenson Spark, etc. The file format specification document is offered only to developers who agree to a license agreement that permits them to use the specifications only to develop programs that can export to the Flash file format.

The license does not allow the use of the specifications to create programs that can be used for playback of Flash files. The Flash 9 specification was made available under similar restrictions. Previously, developers could not use the specification for making SWF-compatible players, but only for making SWF-exporting authoring software.

The specification still omits information on codecs such as Sorenson Spark , however. The Adobe Animate authoring program is primarily used to design graphics and animation and publish the same for websites, web applications, and video games. The program also offers limited support for audio and video embedding and ActionScript scripting. Adobe released Adobe LiveMotion , designed to create interactive animation content and export it to a variety of formats, including SWF.

LiveMotion failed to gain any notable user base. In February , Macromedia purchased Presedia, which had developed a Flash authoring tool that automatically converted PowerPoint files into Flash.

Macromedia subsequently released the new product as Breeze, which included many new enhancements. Various free and commercial software packages can output animations into the Flash SWF format including:.

The Flash 4 Linux project was an initiative to develop an open source Linux application as an alternative to Adobe Animate. Development plans included authoring capacity for 2D animation, and tweening , as well as outputting SWF file formats. UIRA intended to combine the resources and knowledge of the F4L project and the Qflash project, both of which were Open Source applications that aimed to provide an alternative to the proprietary Adobe Flash.

Adobe provides a series of tools to develop software applications and video games for Flash:. Third-party development tools have been created to assist developers in creating software applications and video games with Flash.

Adobe Flash Player is the multimedia and application player originally developed by Macromedia and acquired by Adobe Systems. Scaleform GFx is a game development middleware solution that helps create graphical user interfaces or HUDs within 3D video games. It does not work with web browsers. Lightspark supports OpenGL -based rendering for 3D content.

The player is also compatible with H. Gnash aimed to create a software player and browser plugin replacement for the Adobe Flash Player. Shumway was an open source Flash Player released by Mozilla in November It was built in JavaScript and is thus compatible with modern web browsers. In the same year that Shumway was abandoned, work began on Ruffle , a flash emulator written in Rust.

Adobe Flash Player is currently only supported with the enterprise [1] [2] [4] and China [5] variants, it has been deprecated everywhere else. The projector version is a standalone player that can open SWF files directly. Adobe Flash Player was previously available for a variety of mobile operating systems, including Android between versions 2. Flash Player for smartphones was originally made available to handset manufacturers at the end of However, Flash content can be made to run on iOS devices in a variety of ways:.

The mobile version of Internet Explorer for Windows Phone cannot play Flash content; [] however, Flash support is still present on the tablet version of Windows.

Adobe Flash Lite is a lightweight version of Adobe Flash Player intended for mobile phones [] [ self-published source? The only alternative is using HTML5 and responsive web design to build websites that support both desktop and mobile devices. Such games will not work in mobile web browsers but must be installed via the appropriate app store. The reliance on Adobe for decoding Flash makes its use on the World Wide Web a concern—the completeness of its public specifications are debated, and no complete implementation of Flash is publicly available in source code form with a license that permits reuse.

Generally, public specifications are what makes a format re-implementable see future proofing data storage , and reusable codebases can be ported to new platforms without the endorsement of the format creator. However, despite efforts of projects like Gnash, Swfdec , and Lightspark , a complete free Flash player is yet to be seen, as of September For example, Gnash cannot use SWF v10 yet.

Notable advocates of free software, open standards, and the World Wide Web have warned against the use of Flash:. The founder of Mozilla Europe , Tristan Nitot , stated in []. Companies building websites should beware of proprietary rich-media technologies like Adobe\’s Flash and Microsoft\’s Silverlight. You\’re producing content for your users and there\’s someone in the middle deciding whether users should see your content.

I believe very strongly, that we need to agree on some kind of baseline video format if [the video element] is going to succeed. Flash is today the baseline format on the web. The problem with Flash is that it\’s not an open standard. Representing the free software movement , Richard Stallman stated in a speech in that: [] \”The use of Flash in websites is a major problem for our community. Flash content is usually embedded using the object or embed HTML element.

Often, a plugin is required for the browser to fully implement these elements, though some users cannot or will not install it. Since Flash can be used to produce content such as advertisements that some users find obnoxious or take a large amount of bandwidth to download, some web browsers, by default, do not play Flash content until the user clicks on it, e.

Konqueror , K-Meleon. Most current browsers have a feature to block plugins, playing one only when the user clicks it. Opera versions since Opera Turbo requires the user to click to play Flash content, and the browser also allows the user to enable this option permanently. Both Chrome [] and Firefox [] have an option to enable \”click to play plugins\”. Equivalent \”Flash blocker\” extensions are also available for many popular browsers: Firefox has Flashblock and NoScript , Internet Explorer has Foxie, which contains a number of features, one of them named Flashblock.

For many years Adobe Flash Player\’s security record [] has led many security experts to recommend against installing the player, or to block Flash content. Active moves by third parties to limit the risk began with Steve Jobs in saying that Apple would not allow Flash on the iPhone , iPod Touch , and iPad — citing abysmal security as one reason.

In July , a series of newly discovered vulnerabilities resulted in Facebook \’s chief security officer, Alex Stamos , issuing a call to Adobe to discontinue the software entirely [] and the Mozilla Firefox web browser, Google Chrome , and Apple Safari to blacklist all earlier versions of Flash Player.

Flash cookies are not shared across domains. From Wikipedia, the free encyclopedia. Deprecated multimedia platform used to add animation and interactivity to websites. This article is about the multimedia software platform. For the player, see Adobe Flash Player. Harman —present for enterprise users [1] [2] [3] [4] Zhongcheng —present in China [5] Adobe Inc.

Main article: Rich web application. Main articles: List of Flash animated films and List of Flash animated television series. Main article: SWF. Main article: Stage3D. Main article: Flash Video. Main article: Adobe Animate. Main article: Comparison of vector graphics editors. Main article: Adobe AIR. Main article: Adobe Flash Lite.

Main article: OpenFL. See also: Vendor lock-in. Main article: Local shared object. Adobe Systems. Retrieved November 21, Harman International. Zhongcheng Network Technology Co. Retrieved January 17, Adobe Inc. July 25, Archived from the original on December 2, Retrieved July 1, Retrieved June 11, Smashing Magazine. Smashing 3D. June 15, Retrieved February 4, Adobe Flex 3. ISBN Data Visualization with Flash Builder.

Focal Press. O\’Reilly Media, Inc. Game Informer. Retrieved February 3, Retrieved May 5, Windows Report – Error-free Tech Life. July 24, Retrieved June 18, Adobe Systems Inc. Archived from the original on February 4, Retrieved October 18, Retrieved February 12, Retrieved March 29, Archived from the original on May 16, Retrieved December 26, April 19, The New York Times.

ISSN Retrieved March 4, What\’s New in Flash Player Ben Forta. May 9, It Just Changed Its Name\”. Retrieved June 22, Retrieved on March 11, Archived from the original on August 11, Retrieved March 21, Mozilla Foundation Press Center.

San Francisco. November 7, Archived from the original on October 21, Retrieved September 3, Archived from the original on November 18, Retrieved November 17, The Register. Archived from the original on August 10, Retrieved August 10, Retrieved October 10, Archived from the original on November 25, Retrieved November 12, May 1, Archived from the original on February 10, Retrieved February 20, Retrieved February 21, Archived from the original on February 24, February 16, Archived from the original on February 19, BBC News.

Retrieved December 31, Retrieved November 24, Speichermedium E-Book-Reader. Dieser Artikel oder nachfolgende Abschnitt ist nicht hinreichend mit Belegen beispielsweise Einzelnachweisen ausgestattet.

Dieser Artikel oder Absatz stellt die Situation in Deutschland dar. Hilf mit , die Situation in anderen Staaten zu schildern. Teile dieses Artikels scheinen seit nicht mehr aktuell zu sein. Mehr zum Thema ist hier zu finden z. Januar Februar Dezember In: Frankfurter Allgemeine Zeitung.

August , S. In: www. Abgerufen am Oktober In: Der Spiegel. Nummer 27, , S. Auf: Heise-Online. Abgerufen am 6. April englisch. April Wall Street Journal , 9. Juni FAZ , November August Kategorien : E-Book Digitale Medien. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Bonnier Media Deutschland arsEdition , Carlsen.

 

Adobe Photoshop CC For Dummies: Bauer, Peter: replace.me: Books

 
This friendly, full-color guide introduces you to the basics of Photoshop CC and provides clear explanations of the menus, panels, tools, options, and shortcuts. Adobe Photoshop CC for dummies ; Publication date: ; Topics: Adobe Photoshop, Photography — Digital techniques, Computer graphics, Cloud.

 
 

Adobe photoshop cc for dummies free

 
 

About the author Follow authors to get new release updates, plus improved recommendations. Peter Bauer. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content. Read more Read less. Customer reviews.

How customer reviews and ratings work Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Learn more how customers reviews work on Amazon. Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. I am an experienced Photoshop user, but admittedly on a very superficial level.

I have used photoshop for over ten years and it is wonderful for fixing photos. I decided that this was the year I would dive into the more complex editing functions that Photoshop is known for and I thought this book would be a good way to start.

However, does not provide clear instructions for more advanced techniques and is quite disappointing. I feel like my money was wasted on this book. When they refer to the ill.

The term super zoom is needed. I will update this review after I read more of the book. My initial experience is mixed. It seems thorough, giving important insight into the \’little things\’ that could baffle a Photoshop user trying to figure out best practices.

But I am left wondering about some of these tips. No answer. So it is \’sort of detailed,\’ yet still leaves you wondering. Well, I can imagine a 3rd option- a book used to learn photoshop without resorting to step by step tutorials. I had hoped this book fell into that category. But no, it tells you it is meant to be a reference book to pick off the shelf when you need an answer. I think the title of the book should make this clear. Not too many people would expect this to be true of a \”Dummies\” book; instead, they would expect help to get going with the software, with an explanation geared to beginners.

So I find this whole \’twist\’ on the purpose of the book a bit baffling. Lastly, I felt a jolt of disappointment to read a statement that the book is geared to \’photography. I happen to be learning Photoshop as a fine artist, so I don\’t prefer a book with a \’photography\’ \’bent\’ to it. Again, nothing in the title makes this clear, until you start reading the book.

See all reviews. Top reviews from other countries. I bought this book because I thought it would teach me how to use Photoshop. I have enjoyed other \’for dummies\’ books, but I found this book doesn\’t go into any detail. I think the most disappointing thing about this book is the images that the author has created or used to give the reader an idea of what they can achieve.

In my opinion, I think the majority of images look out-dated, stuff you would see from a book written about 20 years ago in the early days of graphic design software. Can I say it made the book feel cheap? I get that the images are providing examples, but please, give us something to aspire to!

The content doesn\’t really go into a great amount of detail and I would say it\’s mostly an overview of what the tools in Photoshop do. I wanted to learn how to make an image background transparent and save it in \’png\’ format – I thought this might be in the book but I didn\’t find any useful guidance on the \’transparency\’ page.

I found the delivery of the content confusing, it didn\’t feel like there was any purpose or structure and it didn\’t give me any additional confidence in using Photoshop CC.

Most of the information in the book can be found within in the Adobe Photoshop CC application and on the Adobe Photoshop community pages. What does this book do well? There are some useful tips and points to remember and this is a staple of the \’for dummies\’ guides. The tips and points to remember are mostly useful. In summary, if you like a whirlwind product tour and a summary of the tools, with a few walk-throughs then this book might be for you. If you are looking for a book on how to use Photoshop CC, then perhaps, look at other books.

Poor quality print. I ordered this book several weeks ago and it isn\’t until now that I\’ve had the time to look at it. I wish I had looked sooner because I would have returned it. The written text is fine but the quality of the screen samples is extremely poor. The images are very dark and some of the comparable features from one image to the other are indistinguishable.

It\’s as if the book printer used the wrong type of paper. Poor quality print Reviewed in the United Kingdom on June 12, Images in this review. Report abuse. Great book to help with this software.

I like this product. Other options available to us in Photoshop and third-party plug-ins will make adjustments to the whole image. One thing we wa. Jon is a professional photographer and writer. He also provides one-to-one and small-group tuition in both digital SLR and Photoshop image-editing skills.

The image organizer that comes with Phot. It works in much the same way as the near-identical Black and White panel in Lightroom by giving you on-image control over the luminance of e. What do I want the viewer to look at? Jon Adams Jon is a professional photographer and writer. With a camera and a good lens, you have everything you need to shoot a portrait — but. Review must be at least 10 words.

As environments go, the Photoshop working environment is pretty cool: as inviting as a landscaped backyard and not nearly as likely to work you into a sweat. As with other programs, you can choose the method you find the easiest and most convenient. In Windows, you can launch programs from the Start menu or an icon on the taskbar. In either Windows or Mac OS X, you can double-click a Photoshop shortcut or alias icon if you have one on your desktop. Finally, you can double-click an image associated with Photoshop, which then launches Photoshop along with the file.

When you launch Photoshop, the workspace, shown in Figure , appears. Adobe did this in order to provide what they call a more immersive experience enabling you to better focus on your image instead of the surrounding interface elements. Here, you can also change details, such as whether your border is a drop shadow, line, or nothing at all. Figure The Photoshop desktop consists of many components, including an image window, panels, and bars. After you arrange your Photoshop desktop the way you like it for a specific project, you can even save the desktop and reuse it whenever you work on that project see Book I, Chapter 5 for details.

Every image you work on appears within the confines of an image window. However, you can move some components, such as the various panels and the Options bar. The result? A cleaner, more polished UI. The Window menu, shown in Figure , controls the display of panels and some other elements of the Photoshop workspace. Find out more about maneuvering panels in the section Playing with Panels, later in this chapter.

The top two entries on the Window menu enable you to control the display arrangement of your open documents and manage your workspaces. You may also choose from 2—, 3—, 4—, or 6—up in various configurations, depending on the number of images you have open.

Your images must be floating in their windows to enable this option. If you want your images to float within the application, choose Float in Window for the currently selected image only and Float All in Windows for all your images commands in the Arrange submenu.

Another item under the Window menu includes various workspace options enabling you to choose a workspace that fits your workflow. Selecting the Essentials workspace resets all your panels and menus to the default settings.

For details, see Book I, Chapter 5. On the Extensions submenu, you find Kuler, which enables you to create, download, and share color themes see Book I, Chapter 3 and Mini Bridge that helps you browse and sort your image assets see Book I, Chapter 4.

The remaining bulk of the Window menu contains a list of panels in alphabetical order and currently open documents. Each Photoshop image window comes equipped with a status bar. Incidentally, the title bar of the document itself also shows the zoom level. To the right of the zoom level is the display area for file and image information — which, by default, shows the document size.

To display other types of information, click the right arrow in the status bar, choose Show, and select one of the following options from the menu that appears as shown in Figure :. Figure The status bar provides a wealth of vital information about your image. When you connect via Adobe Drive, you can open and save Version Cue files.

Adobe has discontinued Version Cue, so the future of the Adobe Drive feature is unknown. The first number shows you the size of the file if you were to flatten combine all the layers into one and save it to your hard drive in the native Photoshop file format. You want this option active when you need to keep track of how large your image is. You can find more information about profiles in Book II, Chapter 3.

You might need this information to reference the physical dimensions of your open files. For information on setting preferences in Photoshop, see Book I, Chapter 5. Enabling this option shows two measurements for an active image.

On the left, you see the amount of real memory and virtual memory that all open images are using. On the right, you see the total amount of RAM available for working with images. Photoshop needs a lot more memory and disk space to work on an image while that image is open, shown by the Scratch Sizes display, as opposed to the Document Size display that shows only the file size of the document.

It shows the percentage of time Photoshop spends actually working on an operation, compared to the time it must spend reading or writing image information to or from your hard disk. The slider control is available only if you have an HDR image open. This feature is handy for large or complex files. Many image-oriented programs use panels of a sort, and Photoshop has had panels formerly called palettes since version 1. However, since Photoshop 3.

Rather than standalone windows, Photoshop uses grouped, tabbed panels, which overlap each other in groups of two or three or more, if you rearrange them yourself. By default, some panels, such as Tool Presets, appear alone. Panels may contain sliders, buttons, drop-down lists, drop-down menus, pop-up menus as shown in Figure , and other controls. You also find icons at the bottom of many panels. For example, at the base of the Layers panel are command icons that let you create a new layer, add a layer style, or trash a layer that you no longer want.

Many panels — such as the Brush, Styles, Actions, and Swatches panels — include options for defining sets of parameters called presets that you can store for reuse at any time. Figure Panels contain various command icons for editing and managing your image. Whatever name you call them, palettes or panels, they still hold the same information.

By default, the panels are anchored in the top-right by a multitiered dock. To expand a panel, simply click its icon.

You can also select a panel by choosing it in the Window menu. In this mode, you can select only one panel in any group because only one tab in a group can be on top at one time. When you select a panel from the Window menu, you have no way of knowing which panels are grouped together because Adobe lists panels alphabetically, rather than by groups. To bring a specific panel to the front, click its tab when expanded or icon when collapsed. If you move the panels out of their groups or drag them onto the desktop so they stand alone, any of them can be selected in the Window menu.

The whole panel group closes. To do so, click on the double triangles at the top of the dock. Drag the panel by its tab and position it below the existing column of icons. Release your mouse button to make the panel collapse to its corresponding icon. Access an individual panel by clicking its tab to bring it to the front.

As a result, several panels occupy the screen space required by only one. After you use Photoshop for a while, creating your own custom panel groups based on the panels you most often use can be a real timesaver.

So many menus, so little time! In truth, Photoshop has only about plus separate menu items, including some duplicates. However, even plus menu items are considerably more than you find in the most ambitious restaurants. Basically, if you want to do something in Photoshop, you need to use the Menu bar or its equivalent command snuggled within a panel menu.

Right-click Right-click or Control-click on the Mac to bring up the menu. Just a side note, Apple refers to this action as a secondary click in its Mouse and Trackpad System Preference panes. The File menu offers a cornucopia of file options, from opening new images and opening saved files to browsing existing files, closing files, and saving files. Select the file and click Open. For detailed instructions on the many ways you can open files, see Book I, Chapter 3.

Selections let you work with only part of an image. You can select an entire layer or only portions of a layer with one of the selection tools, such as the Marquee or Magic Wand tool. The Select menu offers several commands to modify your selection — from capturing more pixels to softening the edges of the selection. The Select menu shown in Figure is short and sweet, but the capability and control that the menu unleashes is nothing short of an image-editing miracle.

Understanding selections is such an important cornerstone to your Photoshop knowledge that I devote an entire minibook Book III to showing you how to use them. Figure The Select menu offers commands for making, modifying, saving, and loading your selections.

The Edit menu contains tools that enable you to cut, copy, or paste image selections in several ways. You can fill selections or stroke their outlines create a line along their edges , which I explain in more detail in Book IV, Chapter 2. You can use the Edit menu to rotate, resize, distort, or perform other transformations changes in size or shape on your selections see Book III, Chapter 3.

Additionally, you can undo the last change you made in Photoshop, fade a filter, check your spelling, or find and replace text. In practice, some of the entries you find here do apply to the whole document, but others can apply to only particular layers or selections. For example, the Mode menu item allows you to change an entire image from color to grayscale. On the other hand, you can only apply the changes wrought from the Adjustments submenu to an entire image if the document consists of only a background and has no layers.

Figure The Image menu is where you find commands for adjusting the size, color, and contrast of your image. The Variables and Apply Data Set commands work with data-driven graphics. Briefly, data-driven graphics make it possible to quickly produce multiple versions of an image for print and web projects.

Multiple versions allow for target audience customization for projects such as direct mail pieces. For example, you can base hundreds of versions of a brochure or web banner on a single template. The Variables define which elements change within a template. A Data Set is a collection of variables and associated data. Layers give you a way of stacking portions of an image — like sheets of acetate — on top of one another so that you can work on individual pieces separately.

You can also create special kinds of layers to make adjustments or mask portions of an image. The menu has selections for changing the order of the layers moving a specific layer to the front or top of the stack, and so on and grouping layers. Figure shows an image that has three layers: The first layer is the guitar player image, the second layer is the logo of the music store, and the third layer contains the type.

You also can merge layers down, combine them with all other visible layers, or flatten them into one single-layer image or background. Although consolidating your layers makes the file smaller, flattening is irreversible after you close the file.

Storing an unflattened version of a file is always a good idea in case you want to make more changes later on. A filter is an effect that changes an entire layer, channel, or selection. Some common filters include those found under the Blur and Sharpen filters. The Filter menu, shown in Figure , consists almost entirely of cascading categories of image-transmogrifying plug-ins.

You can wade through this menu to find the perfect effect to apply to an image or selection. Book VII has everything you need to know about filters. After you apply a filter, Photoshop copies the filter command to the top of the Filter menu for easy accessibility, in case you want to reapply the filter with the exact same settings. The Filter Gallery, shown in Figure , command allows you to apply several filters simultaneously in one neat editing window. Figure The Filter menu is bursting at the seams with plug-ins to improve, enhance, or completely transform your image.

If you want to have them again reside in the menu, change your preferences to display again. Figure The Filter Gallery enables you to apply several filters in one window. The rest of the Filter menu consists of 14 filter categories, each containing from two to more than a dozen options:.

Just select each filter to apply it; it has no options to specify. These filters utilize preview windows, buttons, slider controls, and menus to distort, pixelate, sharpen, stylize, apply textures, and perform other functions. If you convert your layer to a Smart Object, you can then apply a Smart Filter.

You can find third-party filters at such websites as www. The Options bar, shown in Figure , is a great feature because it eliminates the need to access a separate options panel for each tool. The bar remains available at all times, docked below the Menu bar unless you decide to hide it for some bizarre reason , and the options change when you switch tools. Figure The ubiquitous Options bar is dynamic and reflects various options for the tool in use and operation being performed.

You can let the Options bar float anywhere in the workspace. Click the down arrow to access a drop-down list that includes a selection of brush tips for painting and erasing tools ; a flyout menu that lets you select presets saved settings for various tools; and additional options to set, such as the size of the icons used to represent brush tips.

You may also reset a particular tool — or all tools — to the Photoshop default values. Adobe removed it from Version CS6. A hodgepodge of functions is sprinkled throughout the View menu. For new Photoshop users, the commands to zoom into and out of the image are likely the most familiar. You can also choose your screen mode, which lets you view your image full-screen with the Menu bar and panels, or full-screen with just panels.

See Book I, Chapter 5 for details. From the View menu, you can select which extras Photoshop displays. You can choose to show or hide the following, as shown in Figure Figure Viewing and navigating your image are the main tasks on the View menu.

You definitely want to see them if the paths need editing. The Count feature is only in the Extended version of Photoshop. If you slice the image, you probably want to view the results.

This option is only in the Extended version of Photoshop. The snap feature makes objects magnetically attracted to grids, guides, or other objects. You can also create new guides, lock and clear slices see Bonus Chapter 2 for slice-and-dice information , and turn rulers on or off.

But remember, behind every garden gazebo is a carpenter who knew how to use the tools required to build it. Here are a few tips for using the Tools panel:. Re-dock the Tools panel by dragging it back to its original location.

By default, the Tools panel is a single column. Click the double triangle at the top of the panel to display a two- column configuration. To select a tool, simply click it in the Tools panel. A small black triangle in the bottom-right corner of a tool slot indicates that more tools are hidden behind that tool on a flyout menu, shown in Figure note that the Tools panel in Figure is from the Extended Version of Photoshop.

Click and hold down your desired tool to access the flyout menu. You can also access tools by using keyboard shortcuts which are listed in the Cheat Sheet at Dummies. Figure The Photoshop Tools panel offers a multitude of tools for your editing pleasure.

For the most part, you can access a hidden tool by pressing the Shift key along with the keyboard letter of the visible tool. You can then rotate through the tools by pressing the same letter repeatedly. When you hover your mouse pointer over a tool, color control, or icon, you see a tooltip. The tooltip tells you the name of the tool or icon and its keyboard shortcut, if any.

Although helpful at first, it can get annoying after a while. Turn it off by deselecting the Show Tool Tips option in the Interface section of the Preferences dialog box. The Tools panel is divided into three sections: tools, color swatches, and icons for Quick Mask or Standard mode and the various screen modes. The following sections introduce you to the tools.

The following list details the other residents of the Tools panel shown in Figure When using some of the tools and applying some commands, you may apply one of these colors. The small black-and-white swatches represent the default colors. To edit in Quick Mask mode, click the icon. The default Standard Screen Mode enables you to see your entire Photoshop desktop.

You can also select Full Screen Mode with Menu Bar, which hides your desktop background and other open images. Or click Full Screen Mode, which hides everything but your current image. The selection tools are the workhorses of Photoshop. They allow you to capture and isolate pixels so that you can edit or manipulate just a portion of an image. Marquee tools capture rectangular or elliptical selections, or single rows or columns of pixels. Figure shows an example of an elliptical selection.

Whereas the lasso tools make freeform selections, the Magic Wand tool creates selections by picking up pixels of similar colors. The Quick Selection tool enables you to paint your desired selection. And the Move, Crop, and Perspective Crop tools do just what their names describe — move and crop images. Crop-tool details reside in Book II, Chapter 1.

The path tools create and modify vector paths, which are elements comprised of straight and curved segments and anchor points. You can then use these paths as a basis for a selection, to define a shape, or create a mask. Figure The Elliptical Marquee tool left lets you make an elliptical selection; the Move tool right enables you to move a selection within your image.

The Path Selection and Direct Selection tools select your paths and path components after you draw the path. Figure shows examples of using the Pen tool and Direct Selection tool, respectively. Figure The Pen tool creates a path of anchor points and segments; use the Direct Selection tool to select and manipulate those points and segments. Generally, the painting tools allow you to apply color or erase pixels.

In the case of the Gradient tool, you can apply multiple colors simultaneously. And with the Art History Brush tool, you paint on a stylized effect rather than color.

The Color Replacement tool lets you replace the color within your image with the foreground color. The three Eraser tools are painting tools, but erase to the background color or to transparency, in the case of layers. Figure shows an example of a heart drawn with the Custom Shape tool, painted with the Brush tool using the Scattered Rose brush tip , Special Effects brush left , and later right partially erased with the Eraser tool. Figure The painting tools can add texture and color to a basic shape; the Eraser tool erases pixels to reveal your background color.

The Mixer Brush tool simulates traditional, natural media painting methods, such as blending and mixing color together and varying the wetness within a brushstroke.

See Book IV, Chapters 1 and 2, for details on most of the painting tools. The cloning and retouching tools are the powerhouse tools to break out when you need to do some image repairs. These tools allow you to duplicate portions of your image, paint with a pattern, or seamlessly fix scratches, wrinkles, and other blemishes. The unique History Brush tool lets you actually paint a previous version of your image back into your current image — perfect for undoing mistakes. The Spot Healing Brush quickly removes small blemishes and hickeys of all kinds.

If you need to fix larger areas, you can break out the Healing Brush tool or improved Patch tool. The Red Eye tool removes the nasty red reflections in the eyes of your loved ones, as shown in Figure Type tools pretty much do what their moniker suggests — create type of varying sorts. The Horizontal Type tool and Vertical Type tool create regular type, either point or paragraph, and type on a path or within a shape; the Mask Type tools create selections in the shape of letters — which you can then fill with images, patterns, colors, and so on.

For type tool details, see Book IV, Chapter 3. Figure You can easily create vector type top or a type mask bottom in Photoshop.

The focus and toning tools allow you to enhance your image by altering the pixels in various ways. You can lighten, darken, blur, smudge, sharpen, saturate, or desaturate color in selected portions of your image. For example, in Figure , I used the Smudge tool to make my still life look more painterly. To saturate the baby and desaturate the balls, I used the Sponge tool. Figure You can make your images stand out from the crowd with the Smudge left or Sponge right tool. The shape tools allow you to create vector elements in your image.

You can fill these elements with a color, a gradient, a pattern, or leave them as an empty path. Although vector elements are the heart and soul of the shape tools, you can also create shapes filled with pixels. For shape details, see Book IV, Chapter 1. Figure shows a tree from the Custom Shape presets and a crest of my own design made from the Rectangle and Ellipse shape tools in action.

Photoshop has an abundance of tools to help you view and navigate your image window. These tools allow you to zoom in as shown in Figure and out, move your image within the window, and measure distances and angles.

The Eyedropper and Color Sampler tools let you pick up and sample color respectively — handy for grabbing or evaluating color in an image. The Notes tool creates written notes that you can leave within an image window — useful for collaboration purposes or simply for reminders to yourself.

Figure Create shapes from large preset libraries or from your own imagination with the Shape tools. In the Tools panel, you find the Slice tool and Slice Select tool, which allow you to create and select slices. Slices are rectangular sections from an image that you can optimize and turn into web features. For example, you might slice an image and, in Dreamweaver, apply rollovers and image maps to those slices separately for the best viewing experience on your web page.

Photoshop also provides a whole array of 3-D tools and features, which you can use to create graphics, but only in the Extended version. Creating tool presets is a real timesaver if you use specific tool settings on a frequent basis. For example, I make numerous 2-xinch and 2-xinch rectangular selections on images I use in a newsletter.

For example, if you selected the Rectangular Marquee tool in Step 1, you may want to select Fixed Size from the Style pop-up menu and then enter your desired Width and Height values. Then, choose Tools from the pop-up menu and select your preset. Select the preset and drag it to the trash.

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